However, this method also washes out the directional sound cues. The only way thus far to eliminate the in-your-face effect is by using Atmos-enabled speakers angled by approximately 30 degrees combined with special crossover within the speakers, and Digital Signal Processing in the processor to shoot the Atmos atmospheric sound to the ceiling and reflect it back to the listeners’ ears. the second speaker layer), sounds too jarring and gimmicky – at least based on my findings during the aforementioned trade event. The problem with Atmos for home is that by using direct radiating speakers above the listener, in too many cases, the atmospheric layer (i.e. By the time this article is in your hands, I will have 53 Dolby Atmos commercial theatres under my design belt. My involvement with Dolby Atmos is not new. At the 2014 CEDIA, I went to at least a half dozen Dolby Atmos demonstrations organized by companies like Yamaha, Denon, Lyngdorf, Pioneer and even one by Dolby Labs itself.
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